Audio for music & games
Mixing, production, songwriting, game music, sound design, and implementation.
01 / Credits
02 / More than audio
Games / Interactive
I can design one feature or handle the full audio scope. I also work in the build, so the sound gets tested in play instead of stopping at a folder of files.
Sound Design · Music / Scoring · Implementation · Technical Audio · Unity · Unreal Engine
Explore Game AudioMusic / Artists
Bring me the song when the vocal will not sit, the chorus needs a lift, or the production is finished but the record is not. I can help at that point or take it through the final master.
Mixing · Mastering · Production · Songwriting · Topline / Melody · Full Song Development
Services + Pricing03 / Selected work
Selected work is loading.
04 / About
Producer / Songwriter / Audio Engineer
I got into production by recording the emo bands I played in. The records I grew up on were ’60s and ’70s soul, R&B, and disco, so my ears were never in just one lane.
By around 2010 I was producing pop, hip-hop, and electronic music full time. I later spent several years releasing music and touring as DFACE. That work taught me to hear the writing, production, vocal, and mix as parts of the same record.
Games came through ANDERSON, the IndieCade-nominated VR title I co-created, composed, designed sound for, and helped engineer. Since then I have moved between audio and game development, including leading audio design and engineering for the Daft Punk Fortnite Experience, serving as audio lead on Karol G MSB Fortnite, and working on Meta’s Alo Moves XR.
These days I live in Los Angeles with my wife and two kids. When I’m not making music or building games, I’m probably playing Counter-Strike, watching sports, or eating an unreasonable amount of soup.
Experience loads here.
05 / Start something
Whether it’s a song, a game, or something in between—send the work and tell me where it’s stuck.
